Christmas concerns (and doggy bags)

What is the point of selling Christmas cards without envelopes? I mean, really. Even if you’re writing the card for someone you see every day, and will just be handing it to them in person, they’re still going to expect it to be in an envelope with their name scribbled across the front, perhaps in decorative curly writing. With a glitter pen. (‘Tis the season.) And you’re going to be even more likely to require an envelope if you’re buying the sort of cards that have touristy pictures of wintery Tallinn scenes on the front, surely? So why would those be the ones that are sold without envelopes? It makes no sense to me.

That was my first strange discovery today. The second was when I saw Santa standing at the edge of the Old Town, smoking a cigarette and urging passers-by to throw money into the large jar at his feet. This upset me slightly, partly because I didn’t know that Santa smoked (although I suppose it must be a stressful job, particularly at this time of year), partly because he seemed to have lost an awful lot of weight (possibly due to aforementioned stress), and partly because I never expected to see him begging for money. I mean, I know the world has plunged into financial chaos, but I just kind of expected Santa to be immune to all that. You know, maybe have some sort of emergency savings fund. Too many people are counting on him for a happy Christmas – what will happen if the people of Tallinn do not give him enough money to employ the elves to finish making all the toys? One shudders to imagine.

I tried to escape my Santa-related worries by going to see a film with Riho – there’s a film festival on in Tallinn at the moment. Tonight, we went to see Sina Olin Siin (“I Was Here”), as I really wanted to see an Estonian film. Yes, I have become so fluent in Estonian that I can now go and see Estonian-language films! It was very good (although the constant presence of writing in some other language at the bottom of the screen was a bit of a distraction).

The film was followed by dinner in a nice Italian place, where I couldn’t finish my exceptionally delicious meal and once again bemoaned the absence of doggy bags. Someone once told me that restaurants aren’t allowed to give you doggy bags any more because if you take food home and don’t reheat it properly and get food poisoning or something as a result, you might sue them, and they don’t want to take the risk. Which is just ridiculous, because surely if you’re that sort of person you’ll just blame a restaurant anyway if you do happen to get something resembling food poisoning? Anyway, I’ve never asked for a doggy bag since I heard this (which was years and years and years ago) – but then I went to the US a few years back, and upon expressing my horror at the size of the portions in restaurants, was informed that you’re not expected to eat it all at once. You just say “box it up” and they’ll bring you a little box with the rest of your food, so that you can have another meal the next day. It’s great! So surely if the doggy bag ban thing was true, the US would be on board? They’re more into the whole lawsuit thing than the UK, after all. So now I’m doubting the validity of the information I was given all those years ago, or wondering if I dreamt it, and I’m pretty annoyed at the amount of food I’ve wasted by not asking for a doggy bag, and indeed the number of times I’ve made myself feel ill by forcing myself to finish a far-too-big meal. Do you see? Do you see the enormity of the issues I face in my day-to-day life?

Anyway, I couldn’t ask for a doggy bag here, just to see what they’d say, because they would most likely think that I was literally asking for a bag for my dog, or a puppy in a bag, or some such thing. It would all be horribly embarrassing. Instead, I wrapped up my leftover cannelloni in my napkin and smuggled it out of the restaurant in a furtive sort of manner, Riho laughing at me all the way. “What do you think they’re going to do to you if they see you?” he demanded, not understanding my secrecy. I couldn’t really answer him, as I was trying to conceal my dismay at the feeling of warm spinach and ricotta seeping through my napkin into my coat pocket. Once on the street, I removed the disastrous cargo, realised that I was never going to eat microwaved cannelloni with added pieces of napkin and coat fluff, and threw it into the bin. “You’ll never make it in the world of petty crime,” said Riho astutely, through his laughter.

And so I must rely solely upon honest work to earn a living. Which is more than can be said for Santa, whom we passed again on the way home, still smoking and apparently doing nothing other than yell at pedestrians in order to earn his pennies. “I mean, he’s not even fat! He is basically standing there on the street corner, smoking cigarettes and wearing a costume.” I said increduously, getting really quite agitated about the situation. “Who on earth is going to give him money for doing that?”

A passer-by rather irritatingly chose that moment to enter into friendly conversation with Santa and stooped to put money in the jar.

It is a strange world.

Being Open-Minded

Do you sometimes feel as if you have to like certain things because they’re ‘classics’ or ‘legendary’? Pulp Fiction, for example. Or, I don’t know… Mozart. Or yer man Thomas Hardy, who wrote ‘symbolically’ about fields and moors and brick houses. Sometimes I’ve caught myself nodding sagely and saying “Oh yes – a classic!” when, to be perfectly truthful, I think that the subject matter in hand is nothing but a steaming pile of pretentious artistic manure.

Now. Have you ever watched Being John Malkovich?

I bought it because (a) it was in the bargain bin at Video City for £2 and (b) I knew it was a much-hyped movie, nominated for Oscars, blah blah blah. I felt that I should probably watch it if only to add to my repertoire of ‘films I have watched just because everyone else has watched them’. Anyway, Sister and I found it loitering at the bottom of the DVD rack on Sunday night, and decided to give it a try. Film criticism is not really my niche, so this may not be the most eloquent review the movie has ever received, but here goes:

What, in the name of patience, sanity and reason, is all that about?

It’s like a group of stoned teenagers were bored one Saturday night and one of them said hey, you know what’d be, like, totally cool, man? If we just wrote down , like, all the crazy thoughts in our heads and just, like, y’know, film someone like acting them out! And all the other stoned teenagers looked mightily impressed and said Dude! What a totally awesome idea, man! And so Being John Malkovich came into existence. For the first time since my hippy-dippy student days, I really felt like I was missing out on something because of the absence of dope.

Halfway through, I said nervously, “I don’t understand the point of this,” and was relieved when Sister expressed her agreement. We couldn’t switch it off, because we were certain there had to be a point to the film, which would probably become clear in the next scene… or the next… or the next.

As the end credits rolled, we looked blankly at each other. “Do you feel,” asked Sister carefully, “as if you have just taken some hallucinogenic drugs?”

It really was that bad. A puppeteer gets a job in an office on the floor between the 7th and 8th floors. Where, incidentally, the ceilings are so low that everyone walks around stooped over, which makes the whole thing feel slightly insane for a start. Anyway, he falls obsessively in unrequited love with his work partner, and they discover a wee door in his office that leads to, erm, the mind of the actor John Malkovich, allowing you to sort of travel as a passenger in his mind for 15 minutes. No questions whatsoever are asked about this amazing discovery; instead, they decide to sell trips to Malkovich for $200 a pop. Of course, the puppeteer’s wife tries it and decides she prefers being in a man’s body – and then she falls madly in love with the same woman that her husband is obsessed with – and the two women have a love affair whereby the work partner schedules dates with Malkovich when she has arranged for the mad wife to visit his mind!! Naturally, the puppeteer goes berserk when he finds out, and, mad with jealousy, locks his wife in a cage with a gorilla. He enters into Malkovich’s mind for a rendez-vous with the work partner, who thinks the wife is still in there. Until, that is, the puppeteer realises that – being an exceptionally gifted puppeteer – he can actually take over Malkovich, control his movements, speech etc. It just keeps getting weirder and more alarming, and I felt much more disturbed than entertained by the time it was over.

Being John Malkovich

Going round the bend, more like.

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